1. Everything is Too Much (for Cathy) – Initial Reading
2. Everything is Too Much (for Cathy) – First Improvised Recombinant Reading
3. Everything is Too Much (for Cathy) – Second Reading

(more about “My Friend Books“)

Some Fragments (taken directly from the readings):

• in the definitive story, identification made easy
• if revised,
• mark the moment in a temporary “best of church”
• I learned things, and then I got to figure
• tell me the view from frame
• written by a resident of somewheres
• waving to things so wrapped in stuff of other stuff
• stuff staring at sound
• sketch some texture
• or harvest or scan or make a brand
• everything is in being said
• through the years we compose these houses of other stuff, and wave at other things so wrapped in too much view

Refinitions (remixes/feedback refineries, improvised while listening to the readings now)

• into some ongoing other view, a styled scan, a sketch with hooks
• to give it a texture while staring at the sound
• to sketch some walking into the ongoing elemental posing frame
• in the making, making a sketch of what exactly revises in time
• the structure of a current, of a currency

1. Assembling This Virtual Sentence (for Kaplan) – Initial Reading
2. Assembling This Virtual Sentence (for Kaplan) – First Improvised Recombinant Reading
   
3. Assembling This Virtual Sentence (for Kaplan) – Second
   
4. Assembling This Virtual Sentence (for Kaplan) – Third
   

(more about “My Friend Books”)

fragments, musings, etc …

Fragments (taken directly from the readings):

• so many ghosts, so little time
• met a musics, their extension in this river
• cascading nouns surround survey
• to say to any one rotation, stay
• a page of selected world
• an inquiry in air
• to aid the page of world in every little song
• the singular forms will flame and frame the stars, as air does doing, as description does shifting beach
• [     ] says “cascade” to the nouns

Refinitions (remixes/feedback refineries, improvised while listening to the readings)

• a cascading city in an ambient light [seen as] the music of so many descriptions
• take their little river as a radical light so situated around the thing, enter it into a notebook as a non-singular form, imagine the extensions as already having had always had to exist already
• of properties to say rotation is to assemble it virtually, them as well
• shifting at the [   ] will cue a reversal that lives by its river, its flowing of its elements yet together yet fluid