By adam | Published:
July 7, 2009
Jon’s video today is pretty awesome. Kind of a saturated, mysterious, J-pop (in the coloring) Brakhage glitch version of Newman’s Stations of the Cross. The audio track is like a strange signal from some otherworldly station of its own, orbiting the planet just out of detection by our puny terrestrial instruments, the signal ricocheting through [...]
By adam | Published:
July 6, 2009
I am becoming a modern-day oracle to discover what “it” is, by giving voice to its many parts, arranging them in serendipitous configurations. I Am Its Voices – Part 1 from Adam Good on Vimeo. Method: Become a medium for meaningful phrases to emerge from; use source texts when possible. Write the phrases on post-it [...]
By adam | Published:
July 5, 2009
Portraits: live remixes of poetic (and other) performances; arrangements of language fragments for the discovery of new truths. These two portraits are refined versions of sketches of one of Jamie Gaughran-Perez’s readings. Performed during “Via” at a Pyramid Atlantic reading, 2006.
By adam | Published:
July 4, 2009
I Am Its Voices – Intro from Adam Good on Vimeo.
By adam | Published:
July 1, 2009
Captivating mini-doc music video about rival breakdancing Japanese rockabilly gangs. Yup, you read that right. Peter Bjorn and John “Nothing To Worry About” More about my favorite new music video directors here And a shout out to the three other HORSEMEN OF JULY, a quartet of bloggers dedicated to blogging every day: Whaddup, START TOUCHING! [...]
By adam | Published:
June 28, 2009
another axis of connection saying I told you about performance to take a picture of each channel, to tell a story to an idea, a deliberate integration into what readies a structure and releases thoughts to be nothing but focus a sort of mirroring in the organic local flow a field of allowing it to [...]
By adam | Published:
June 28, 2009
Selection, and (if/then) seance. Anything equals. And then what you do with that. Trying your level best to best the level. Selective application of interface’s etiquette. Bending the rules like notes. The notation of which is music. To describe the way/shape and the or/form.
By adam | Published:
June 28, 2009
working nine to high five noon we part ache and still the found day shuns such nonesuch freedom a choice in name only either end point still an end, still
By adam | Published:
June 28, 2009
vehicles are only frames we move ever more rapidly between the trees and what we say continues and the trees continue what we say saying trees once we know and before then saying trees only through moving frames our childhood love of trees and then love of saying “also” to every thing a tree to [...]
By adam | Published:
June 28, 2009
logic gates abate a bait a wait and switch and see a set emerge to match that swerve to set to first faint glance of mind’s quick grasp