Art is _______ : Remixing Artist’s Words to Create New Definitions of Art

WE ARE SCIENCE! collaborated with the Pink Line Project to create an interactive experience for the Phillips Collection’s “This is not That” cafe. We took 12 artists from the collection, sampled their statements about art, and broke them down into cards that participants could use to remix their own statements, filling in the blank in “Art is _____”. I was struck by how engaged people were in the experience, and how the simplicity and playfulness of the concept opened up remarkable creativity.

Check out the video to see what I mean:

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Ignite DC Talk – Becoming a DJ of Thought

Video from my talk at Ignite DC #2, titled “Becoming a DJ of Thought.” More description below the video.


Or, download it at iTunes

Description:
Remixing is not just an art form: it is a fundamental method for understanding and interacting with what we know. We’ve realized the potential of remixing in music, literature, and art—we must now remix the entire spectrum of human thought. If we can remix songs, why not the encyclopedia? If we can mash-up Jay-Z and the Beatles, why not Einstein and Darwin, the Bible and Pythagoras, Isaac Newton and Lewis Carroll? Remixing “the stuff of thought” will yield not only compelling art, but, with the right understanding and appreciation, real insight and scientific advancement. The innovators of the future will be “DJs of Thought,” sampling, mixing, and spinning all existing ideas and thought-objects into ever-new structures. They will remix what we know into what we could know. They will show the Academy how to dance.

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10 True Statements (Robert Smithson and John Dewey)

New remix, improvised knowledge project in which I create 10 true statements by a writer by improvisationally remixing their writing.
First two attempts below: Robert Smithson and John Dewey.

Robert Smithson

John Dewey

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Ignite DC Talk – Backmatter

Some things I’ve been checking out while working on my presentation for Ignite DC.

Crowdsourced music video for Choir of Young Believers’ “Action/Reaction.” from Booooooom.

Into Infinity: open source audio/visual interpretations of infinity from DubLab. An amazing variety of styles.

An image of infinity

An image of infinity

Girl Talk creates a mash-up from “Radio, Radio” by Elvis Costello

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Reenactment of the Discovery of the Scratch

Grand Wizard Theodore was said to have accidentally discovered the scratch when his mother yelled at him to stop playing records so loud. He put his hand directly on the record to stop it, heard the sound that resulted, and started playing around. Here’s a decent reenactment of that crucial moment.

How can we “scratch” our objects of thought? Texts, statements, definitions, theories?

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Our Brains Construct Reality By _______

  • appearing to impress the notice on our surroundings
  • spinning the basic pre-game concept
  • attracting a fuller explanation out of fragments
  • responding to the fading ignorance
  • looking back at the titled moment
  • habituating a phenomenon to a perceptive system
  • shifting the effect of vision’s curve
  • circling the feeling with a world in reverse

(statements re-mixed from

Optical illusions may seem to deceive, but they actually reveal truths about how our brains construct reality)

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Where the Wild Data Are

We know there is potentially useful data in an almost infinite number of situations. Data that may be fleeting and difficult to gather and interpret, but interesting despite, or because of, this difficulty. In considering data collection, we propose a “shoot first, discover questions later” approach, where “shoot” represents a camera, a basic recording device (incidentally, we must also develop other recording devices and media which are “non-blank”).

In this approach, if we see something that might be data, we capture it, trusting our instincts in the hunt. Later, we look over the data with friends and colleagues from the full spectrum of fields. We discuss what the data might imply, how it might be used, new vectors of approach that it mysteriously suggests.

Such an approach favors suggestion and connection over proof and definition. It triggers ideas rather than solves problems.  An apple fell on Newton’s head, and we got gravity. This approach is like gathering all the varieties of apples (and any other thought-objects) into a massive room, setting them in motion, and sticking our heads in for a quick look around. The collisions that result will yield insight, if we free ourselves to this process, and create flexible structures for capturing the results.

The question, in other words, is not what does the data mean? but rather, what does the data make me think?

Below, we present some examples of such data. Remember that any individual sample is more powerful when added to a larger data set; therefore, in all of these instances one should imagine the potential in the data when gathered by every possible person on the planet (and perhaps processed by every possible person on the planet (via distributed qualitative computing)).

So, some examples:

  • The keystrokes left on your computer by your wandering cat, cryptic messages from the worlds of feline psychology and the physics of independent bodies.
    • When writing a piece on Heisenberg’s dice, my cat walked on my laptop, leaving the intriguing equation:

Heisenberpppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp

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  • The angles at which we tilt our heads when reading various materials (the newspaper, a movie poster, a postcard from a loved one).
  • The captcha codes we fill out on web forms.
  • The mishearing of phrases.
  • Occurrences of a given number in all academic journals ever published.

We would not disagree with those who would argue that such data are simply random.

But to say that they are random is to miss the larger point.

By gathering and looking at the “random,” we build connections and spark insight, actions which are decidedly non-random, which stem from the all-important action of the observer.

Or, if we take the importance of the observer to its logical conclusion: if, via the random, the observer imagines some connections, ideas, concepts, or new vectors of approach, then there is no randomness in the elements at all. They were simply floating, full of potential semantic energy, until the observer observed them and transformed that potential into actuality.

Here’s a statement against the notion of randomness:

IF in relation THEN not random.

Do you have any “potential data” sets?

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From Seed – Sessions 003 and 004

Two more sessions of remixing Seed magazine to discover new potential truths and avenues for exploration.


Session 003
- Yet a common division of linkages will sort data into their own tones and juices…

Session 004 - Sometimes the only way to understand the light / dark core at the heart of deciphering is to register the descendants of each moment of revelation…

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From Seed – Sessions 001 and 002

From Seed is a new object-oriented thought project in which I conduct quick, improvised remixes of Seed magazine, in order to discover new meanings and possible directions for future knowledge. Noticing what emerges from seed, we enter strange, uncharted fields and domains for further exploration and refinition.

Session 001 The big idea is a music that can understand a structure

Session 002These ideas … can take one into a particular means to test the illumination. A small current of options flows through the garden

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Performing at the Phillips Collection on Thursday

Please join me this Thursday as I channel the spirit of Denis Diderot, the inventor of the Encyclopedia, to present a new, fluid, organic structure for creating, capturing and conveying knowledge.

As part of the Phillip’s Collection THIS IS NOT THAT CAFÉ interactive group performance, A Play, I will be playing the role of Taxonomer, organizing the café’s library according to an improvisatory, recombinant, open (crowd)sourced method for the production of new concepts and categorizations. It will be ambitious and awesome, and audience members will have the opportunity to participate.

You will also see live re-enactments from some of your favorite artists, including Degas, Manet, and Duchamp.

There will also be food and drink, and most likely, merriment.

Hope to see you all there!

Thursday, August 6
6-8:30 pm (you can come at any time, for any amount of time)
FREE!
at the Phillips Collection
1600 21 St NW | Washington, DC | 20009

Find out more about the excellent new space at the Phillips Collection, THIS IS NOT THAT CAFÉ:
www.thisisnotthatcafe.com

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